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Monday, November 24, 2014
Happy Thanksgiving!
Wishing everyone a very Happy Thanksgiving! I'm taking the day off from blogging to prepare for the upcoming festivities! Will be back on Monday, December 1st.
Monday, November 17, 2014
Laughter Really is the Best Medicine
In life, as in writing, it's important to see humor in even serious situations. In literature, humor eases the stress level in tension filled scenes to give the reader a chance to catch his breath.
American Heritage Dictionary defines comic relief as follows: n. A humorous or farcical interlude in a serious literary work or drama, especially a tragedy intended to relieve the dramatic tension or heighten the emotional impact by means of contrast.
In real life a good laugh is important, too. According to About.com's page on Stress Management:
American Heritage Dictionary defines comic relief as follows: n. A humorous or farcical interlude in a serious literary work or drama, especially a tragedy intended to relieve the dramatic tension or heighten the emotional impact by means of contrast.
Wikipedia says, "William Shakespeare deviated from the classical tradition and used comic relief in Hamlet, Macbeth, Othello, The Merchant of Venice and Romeo and Juliet. The Porter scene in Macbeth, the grave-digger scene in Hamlet and the gulling of Roderigo provide immense comic relief... In popular culture, the character of C-3PO, featured in all six Star Wars films, is also considered to be used as comic relief. He is often found criticizing the desperate situation the other characters find themselves in, or being rescued from predicaments by his counterpart R2-D2."
In real life a good laugh is important, too. According to About.com's page on Stress Management:
- Laughter gives us a physical and emotional release
- Good belly laughs work out the diaphragm, contract the abs, and exercise the shoulders
- Laughter takes away focus from negative emotions like anger, guilt, or stress in a more positive way than an ordinary distraction.
Here's my prescription for a happy, stress free life: Smile, laugh, hug often--oh, and read some good books with lots of comic relief! What's yours?
Thanks for visiting and have a great week!
Monday, November 10, 2014
Writing Bad Guys
Tom Hiddleston as Loki in The Avengers |
There's never a dull moment with a bad guy--or a bad girl. Let's face it, creating fictional villains is just downright fun! I, personally, hate confrontation, and the last thing I'd ever want to do is hurt some one's feelings. Perhaps writing about a mean person is cathartic for me. I've been told I do it well. Not quite sure how to take that. But whatever the case, it's rather exciting to write dialogue I'd actually never say, and write about nasty, villainous deeds I could never imagine being done in real life--until I see them reenacted on America's Most Wanted.
Margaret Hamilton as The Wicked Witch of the West in The Wizard of Oz |
As the hero is flawed, the villain must to be humanized. Through back story, he or she must be seen as a person first, not a monster. Otherwise, that character will just come off looking like a cartoon bad guy. Reading bios of notorious criminals can help develop a believable villain.
Depending on the circumstances that molded this individual's psyche, the reading audience might feel a little sympathy (because his mother died when he was an infant, he lacked a mother's love), or make them hate him even more (because he was bitten by a dog as a child, one of his hobbies as an adult is running over dogs with his car).
How will you have fun creating your next villain, or making your current one even scarier?
Thanks for stopping by and have a great week!
Tuesday, November 4, 2014
Creating a Villain's Villainy
Anthony Hopkins as Villain Hannibal Lecter |
"An excellent man, like a precious metal, is in every way invariable. A villain, like the beams of a balance, is always varying, upwards and downwards." John Locke
Not long ago, I attended a fabulous all day workshop presented by authors Laura Baker and Robin L. Perini. Discovering Story Magic explored the integral relationship between character, conflict, plot, realization and turning points in producing salable fiction.
The information I received is much too plentiful to put into a blog post, but I do want to share an exercise Ms. Perini suggested in creating a villain.
Gene Hackman as Villain Lex Luthor |
Then take that same inciting incident and pick one of the following villains: Hannibal Lector, the Wicked Witch of the West, or Lex Luthor. Now, write about it in first person present tense from the point of view of the villain you chose (be sure to stick with that same villain).
Perhaps the sadness of a grandmother's death to you, could bring happiness to the Wicked Witch, since your loving grandmother was an obstacle to her power. Maybe the sadness you felt after a friend moved would be joyful to Lex Luthor, who wanted him out of the way, since Lex's parents always compared the friend unfavorably to little Lex. Or how about a decision to drop out of medical school? Disappointing, although the right choice for you, but Hannibal Lector regrets it and vows to go back.
So--you are your own villain! Think you'll give this exercise a try?
Have a great week and thanks for stopping by!
Reprinted from 11/15/10.