Film Noir

Time for a little more shameless self-promotion! If you love a mystery--and a good laugh--check out my new Black OOps Detective Mysteries, Cad to Cadaver and Growler to Grave. 

Now, if you love film noir, read on!

I love old movies and the older, the better. I'm particularly fond of the film noir classics of the 1940s.

According to Ephraim Katz's Film Encyclopedia, the term "film noir" was coined by French critics to describe motion pictures characterized by a "dark somber tone and cynical, pessimistic mood." It literally means "dark film."

The film noir Hollywood pictures of the 40s and 50s portrayed the dark, sinister underworld of crime and corruption. And both heroes and villains were cynical loners, insecure and disillusioned by life's circumstances, bound to the past, and unsure of the future.

Several scenes are shot at night, and dingy realism is portrayed through the interior and exterior set designs. There's nothing glamorous about these movies (aside from the leading lady's wardrobe), but the stories are extremely compelling, with intrigue, suspense and lots and lots of plot twists.

Two of my favorite film noir pictures star beautiful Rita Hayworth. Although Lady from Shanghai is hard to follow (you'll have to watch it more than once), it keeps you wondering what's going to happen next. Even if it seems too weird (or perhaps, thought provoking, since it's Orson Welles), it's worth watching just for the ending. That's when Rita's character is shot in the house of mirrors and then lay dying in broken glass (she deserves it).

My other favorite is Gilda, which, for film noir, has a relatively happy ending. In this film, Rita is glamour personified! As the hot and steamy Gilda, a woman with a questionable past, her dialog to leading man Glen Ford is topnotch. Her words actually had me saying "ouch" a few times for the poor guy!

Do you enjoy old movies too?  If so, what are some of your favorites?

Thanks for visiting and have a great week! 

Film Noir

I love old movies and the older, the better. I'm particularly fond of the film noir classics of the 1940s.

According to Ephraim Katz's Film Encyclopedia, the term "film noir" was coined by French critics to describe motion pictures characterized by a "dark somber tone and cynical, pessimistic mood." It literally means "dark film."

The film noir Hollywood pictures of the 40s and 50s portrayed the dark, sinister underworld of crime and corruption. And both heroes and villains were cynical loners, insecure and disillusioned by life's circumstances, bound to the past, and unsure of the future.

Several scenes are shot at night, and dingy realism is portrayed through the interior and exterior set designs. There's nothing glamorous about these movies (aside from the leading lady's wardrobe), but the stories are extremely compelling, with intrigue, suspense and lots and lots of plot twists!

Two of my favorite film noir pictures star beautiful Rita Hayworth. Although Lady from Shanghai is hard to follow (you'll have to watch it more than once), it keeps you wondering what's going to happen next. Even if it seems too weird (or perhaps, thought provoking, since it's Orson Welles), it's worth watching just for the ending. That's when Rita's character is shot in the house of mirrors and then lay dying in broken glass (she deserves it).

My other favorite is Gilda, which, for film noir, has a relatively happy ending. In this film, Rita is glamour personified! As the hot and steamy Gilda, a woman with a questionable past, her dialog to leading man Glen Ford is topnotch. Her words actually had me saying "ouch" a few times for the poor guy!

Do you enjoy old movies too?  If so, what are some of your favorites?

Thanks for visiting and have a great week!

Originally posted 1/28/19

Transforming Rita

Back in the 1930's, a young actress named Rita Cansino, was having a hard time breaking away from small exotic roles, in part due to her name, and in part to the jet black hair of her Spanish ancestry.

As a starlet at Fox Studios, Rita Cansino married salesman and promoter Edward C. Judson.  Judson knew potential when he saw it.  Not only was Cansino beautiful, she was a dancer with a charismatic stage presence, and a spark that Judson knew would propel her to stardom.

Judson got her the lead roles in several independent films and arranged a screen test with Columbia Pictures. Columbia studio head Harry Cohn signed Cansino to a long-term contract, then cast her in small roles in Columbia features.

Cansino appeared in several roles in the mid 1930s playing an exotic foreigner.  Cohn claimed that Cansino's image was too Mediterranean.  That reduced her opportunities to being cast in "exotic" roles, which were more limited in number. 

At Cohn and Judson's urging, Cansino changed her hair color to auburn and her name to Rita Hayworth. By using her mother's maiden name (Haworth), she allowed the public to see her British-American ancestry and became a classic "American" pin-up.

And the rest is history...Rita Hayworth became a screen siren superstar of the 1940s! 

My favorite Rita Hayworth movie is Gilda. What's yours? Thanks for visiting and have a great week!

Previously posted 9/23/13.

Film Noir

I love old movies and the older, the better. I'm particularly fond of the film noir classics of the 1940s.

According to Ephraim Katz's Film Encyclopedia, the term "film noir" was coined by French critics to describe motion pictures characterized by a "dark somber tone and cynical, pessimistic mood." It literally means "dark film."

The film noir Hollywood pictures of the 40s and 50s portrayed the dark, sinister underworld of crime and corruption. And both heroes and villains were cynical loners, insecure and disillusioned by life's circumstances, bound to the past, and unsure of the future.

Several scenes are shot at night, and dingy realism is portrayed through the interior and exterior set designs. There's nothing glamorous about these movies (aside from the leading lady's wardrobe), but the stories are extremely compelling, with intrigue, suspense and lots and lots of plot twists!

Two of my favorite film noir pictures star beautiful Rita Hayworth. Although Lady from Shanghai is hard to follow (you'll have to watch it more than once), it keeps you wondering what's going to happen next. Even if it seems too weird (or perhaps, thought provoking, since it's Orson Welles), it's worth watching just for the ending. That's when Rita's character is shot in the house of mirrors and then lay dying in broken glass (she deserves it).

My other favorite is Gilda, which, for film noir, has a relatively happy ending. In this film, Rita is glamour personified! As the hot and steamy Gilda, a woman with a questionable past, her dialog to leading man Glen Ford is topnotch. Her words actually had me saying "ouch" a few times for the poor guy!

Do you enjoy old movies too?  If so, what are some of your favorites?

Thanks for visiting and have a great week!

Transforming Rita

Back in the 1930's, a young actress named Rita Cansino, was having a hard time breaking away from small exotic roles, in part due to her name, and in part to the jet black hair of her Spanish heritage.

As a starlet at Fox Studios, Rita Cansino married salesman and promoter Edward C. Judson.  Judson knew potential when he saw it.  Not only was Cansino beautiful, she was a dancer with a charismatic stage presence, and a spark that Judson knew would propel her to stardom.

Judson got her the lead roles in several independent films and arranged a screen test with Columbia Pictures. Columbia studio head Harry Cohn signed Cansino to a long-term contract, then cast her in small roles in Columbia features.

Cansino appeared in several roles in the mid 1930s playing an exotic foreigner.  Cohn claimed that Cansino's image was too Mediterranean.  That reduced her opportunities to being cast in "exotic" roles, which were more limited in number. 

At Cohn and Judson's urging, Cansino changed her hair color to auburn and her name to Rita Hayworth. By using her mother's maiden name (Haworth), she allowed the public to see her British-American ancestry and became a classic "American" pin-up.

And the rest is history...Rita Hayworth became a screen siren superstar of the 1940s! 

My favorite Rita Hayworth movie is Gilda. What's yours? Thanks for visiting and have a great week!