Monday, October 30, 2017

Busy Day Brisket

I absolutely love beef brisket, but I've never prepared it myself until today! This version is currently in my crock pot and I can't wait until dinner. It's very easy and according to the reviews at, it sounds delicious. Maybe you can give it a try too. Enjoy!

Busy Day Brisket

Monday, October 23, 2017

Keye Luke: From Artist to Actor

As Number One Son Lee Chan
Hubby and I have been watching old episodes of Kung Fu, which featured actor Keye Luke as the blind Master Po. To older generations he is remembered from the Charlie Chan serials as Charlie Chan's Number One Son Lee Chan. Wikipedia says that he was the first Chinese-American contract player signed by RKO, Universal Pictures and Metro-Goldwyn-Mayer and was one of the most prominent Asian actors of American cinema in the mid-twentieth century. However, before he was an actor, he was an artist.

According to IMDb, Keye Luke was born in Canton, China. He grew up in Seattle, Washington, and entered the film business as a commercial artist and a designer of movie posters. He was hired as a technical advisor on several Asian-themed films, and made his film debut in The Painted Veil (1934). It seemed that he appeared in almost every film that called for Chinese characters, usually in small parts but occasionally, as in The Good Earth (1937), in a meatier, more substantial role. In addition, he played Dr. Kildare's rival at the hospital in the Dr. Kildare series at MGM.

As Blind Master Po
More from Wikipedia says Luke worked on several of the murals inside Grauman's Chinese Theatre, and he did some of the original artwork for the 1933 King Kong pressbook. Luke also painted the casino's mural in The Shanghai Gesture. He published a limited edition set of pen and ink drawings of The Rubiyat of Omar Khayyam in the 1950s. He also created illustrations for the books The Unfinished Song of Achmed Mohammed by Earle Liederman, Blessed Mother Goose by Frank Scully and an edition of Messer Marco Polo by Brian Oswald Donn-Byrne (unpublished). Other art done by Luke included the dust jackets for books published in the 1950s and 1960s. It was through his studio art work that he was recruited for his first movie roles.

I always find it fascinating to learn about an actor's life before the acting began, so just thought I'd share! By the way, are you a fan of Kung Fu? Thanks for visiting and have a great week!

Tuesday, October 17, 2017

Judy Holliday

Big oops on my part! I forgot to post something yesterday. I've been so involved with revising my new novel, blogging slipped my mind, so my apologies.

With all the talk of sexual harassment in Hollywood (and everywhere) coming to light, it reminded me of a story I'd read about actress/comedian Judy Holliday and her run in with Columbia Pictures studio head Harry Cohn. When he grabbed her in a tight embrace, falsies popped out of dress, to which she remarked, "These are yours anyway, Mr. Cohn." I think that "dampened his enthusiasm" and she was able to get away.

For more about the talented Judy Holliday, check out the article below from Turner Classic Movies

This spirited, intelligent actress of stage and screen played variations of the squeaky-voiced 'dumb blonde' role in a number of breezy comedies of the 1940s and 50s. Under her own name, Judith Tuvim, she formed a comedy troupe called "The Revuers," with Betty Comden and Adolph Green. This led to bits in the films "Winged Victory" and "Greenwich Village" (both 1944) and "Something for the Boys" (1945). But it took two Broadway shows, "Kiss Them for Me" and, notably, as the intellectually ambitious moll in "Born Yesterday," to make the newly-renamed Judy Holliday a star.

She returned to films with a memorable supporting role in the Spencer Tracy-Katharine Hepburn comedy, "Adam's Rib" (1949), then vaulted to stardom the following year when she recreated her stage triumph of "Born Yesterday" in George Cukor's film adaptation. As the airheaded mistress of a shady and rather dull-witted tycoon who turns the tables on him once she's educated, Holliday won an Oscar as Best Actress of 1950 (beating out Gloria Swanson in "Sunset Boulevard" and Bette Davis and Anne Baxter in "All About Eve").

For the rest of the 50s, signed with Columbia, Holliday made a handful of films, delighting audiences as ditzy but surprisingly shrewd types in "The Marrying Kind" (1952), the delightful media satire "It Should Happen to You" and "Phfft!" (both 1953), "The Solid Gold Cadillac" and "Full of Life" (both 1956). Holliday's last film was recreating her stage role in the musical "Bells Are Ringing" (1960). She returned to the stage in the straight play "Laurette" (Taylor) and the musical "Hot Spot" (1952). A heavy smoker, Holliday died of throat cancer in 1965 at the age of 43.

I'm a movie buff, but I've never seen a Judy Holliday movie. Have you? Thanks for visiting and have a great week!

Monday, October 9, 2017

Nathan "Nearest" Green: Ex-Slave/Master Distiller

I found this interesting article that appeared in the Washington Times about Jack Daniel's master distiller. Thought I'd post it today.

Nathan “Nearest” Green was a slave whose services as a distiller were rented out to a Tennessee preacher, Dan Call, in the 1850s. It was Green, research by black author Fawn Weaver shows, who mentored Call’s protege, Jack Daniel, in the making of the famous spirit that would bear his name.

While he went on to serve as Jack Daniel’s first master distiller and, as a free man, became prosperous in his own right, Green’s contributions have largely been missing from the company’s success story, even as they remain common knowledge in Lynchburg, Tennessee, Ms. Weaver said.

“To this day I don’t know how Nearest ended up being hidden. I really don’t,” she told the Mail. “Because when Jack was alive he never hid him. When Jack’s descendants ran the distillery, they never hid who he was or what he did. The relationship between Jack’s descendants and Nearest’s descendants were one that was rare between blacks and whites. They would’ve stood out. In Lynchburg, they always knew.”

Ms. Weaver said that her research shows that Daniel and Green’s business relationship was remarkable for its mutual respect across racial barriers, particularly for the time. “His family was fully integrated after the Civil War. Jack and his family did not see a difference between Nearest and his family and their own,” she told the Mail.

Indeed, the closeness between the Green and Daniel families is recognized in the name of the new whiskey label, Uncle Nearest 1856 Premium Whiskey.

The name refers to a southern tradition of “referring to teachers, mentors or others close to a family as ‘uncle, aunt or cousin’ out of respect,” the Mail reported.

“If you are in Lynchburg, everyone calls each other uncle, aunt, cousin so and so, whether you’re black or white,” Ms. Weaver said.

For more information on Nathan "Nearest" Green, check out Wikipedia.

I'd never heard of Nathan "Nearest" Green, had you? Thanks for visiting and have a great week!

Monday, October 2, 2017

Love is Color Blind But Our Families Weren't

I enjoy interracial love stories, so I thought I'd post this touching one from The UK Daily Mail :

Mary, 81, is married to Jake, 86, and lives in Solihull in the West Midlands. They have no children. Mary is a former deputy head teacher, and Jake worked for the post office before retiring. Mary is white and Jake is black, originally from Trinidad.

MARY SAYS: When I told my father I was going to marry Jake he said, ‘If you marry that man you will never set foot in this house again.’

He was horrified that I could contemplate marrying a black man, and I soon learned that most people felt the same way. The first years of our marriage living in Birmingham were hell — I cried every day, and barely ate. No one would speak to us, we couldn’t find anywhere to live because no one would rent to a black man, and we had no money.

Love against the odds: Mary's father threw her out when she decided to marry Jake in 1948, left. Decades on, they couldn't be happier together

People would point at us in the street. Then I gave birth to a stillborn son at eight months. It wasn’t related to the stress I was under but it broke my heart, and we never had any more children.

Now it’s very hard to comprehend the prejudice we encountered, but you have to remember that there were hardly any black people in Britain in the Forties. I met Jake when he came over during the war from Trinidad, as part of the American forces stationed at the Burtonwood base near my home in Lancashire. We were at the same technical college. I was having typing and shorthand lessons and he’d been sent there for training by the Air Force. He was with a group of black friends and they called my friend and me over to talk. We didn’t even know they spoke English, but Jake and I got chatting. He quoted Shakespeare to me, which I loved.

A few weeks later we went for a picnic, but were spotted by a lady cycling past — two English girls with a group of black men was very shocking — and she reported me to my father, who banned me from seeing him again.

Jake returned to Trinidad, but we carried on writing to each other, and a few years later he returned to the UK to get better paid work.

He asked me to marry him, quite out of the blue, when I was only 19. My father threw me out, and I left with only one small suitcase to my name. No family came to our register office wedding in 1948.

But gradually life became easier. I got teaching jobs, ending up as a deputy head teacher. First Jake worked in a factory, then for the Post Office.

Slowly we made friends together, but it was so hard. I used to say to new friends: ‘Look, I have to tell you this before I invite you to my home — my husband is black.’

My father died when I was 30 and although we were reconciled by then, he never did approve of Jake.

Today we have been married for 63 years, and are still very much in love. I do not regret marrying him for an instant, despite all the pain we have suffered.

JAKE SAYS: I feel so fortunate to have met and married Mary, but it saddens me that we could not be accepted by society. Nowadays I say to young black people: ‘You have no idea what it used to be like.’

When I arrived in the UK I was subjected to abuse every day. Once I was on a bus and a man rubbed his hands on my neck and said: ‘I wanted to see if the dirt would come off.’

And back then you couldn’t work in an office — because a black man in an office with all the white girls wasn’t thought to be safe.

Any thoughts? Thanks for visiting and have a great week!