Merle Oberon's Secret

One of my favorite movies is the 1939 film version of Wuthering Heights, starring the extraordinarily beautiful Merle Oberon, a talented actress during the 1930s and '40s.

Yesterday was Mother's Day and I enjoyed spending time with my mother, as I'm sure most of us did who are still fortunate enough to have our mothers. That said, I find it sad the way Miss Oberon treated her own mother--her dark skinned mother--by passing her off as a servant. Throughout her lifetime, Merle Oberon kept her ethnic origin a secret.

 About.com says "Merle Oberon earned an Oscar nod for her acting in 1935’s “The Dark Angel” and more recognition for playing Cathy in 1939’s Wuthering Heights. But off screen, Oberon feared that her secrets would be exposed. She wasn’t solely white nor was she born in Tasmania like actor Errol Flynn, as she told people. Actually, she was born in India to an Indian mother and an Anglo father. Rather than disown her mother, though, Oberon passed her off as a servant. When the actress visited Tasmania later in life, the press hounded her for details about her upbringing, forcing her to admit that she wasn't born there. Still, Oberon did not confess to being Indian."

For a more in depth look into Merle Oberon's life and deceit regarding her origins, check out this article about the 2002 documentary "The Trouble with Merle".

Have you seen any of Merle Oberon's movies?

Thanks for visiting and have a great week! 

Ina Ray Hutton: Soulful Siren of Swing

Before Madonna and before Beyonce, there was Ina Ray Hutton! Never heard of her? Neither had I until I stumbled across her on the Internet.

Ina Ray Hutton (March 13, 1916 – February 19, 1984) was an American female band leader during the Big Band era of the 1930s and '40's.  She was also the sister of band singer June Hutton.  

Beautiful and talented, Ina Ray carried a secret to her grave.  But before we discuss that, a little biographical info from Wikipedia follows below.

Ina Ray Hutton began dancing and singing in stage revues at the age of eight and attended Hyde Park High School on the South Side of Chicago. In the 1930s she appeared on Broadway in George White's Scandals and The Ziegfeld Follies.

In 1934 she was asked by a vaudeville agent to lead an all-girl orchestra, the Melodears.  Hutton and her Melodears were one of the first all-girl bands to be filmed for Paramount shorts including Accent on Girls and Swing Hutton Swing and Hollywood feature films. 

Although the group disbanded in 1939, in 1940 Hutton led an all-male orchestra that was featured in the film Even Since Venus (1944); it was disbanded in 1946. During the 1950s, she returned to the all-girl format for variety television programs including the Ina Ray Hutton Show for a local station on the West Coast. 

Here's the secret to her story:  Her parents were identified as "negro" or "mulatto" by census takers. According to Blackpast.org.:

Hutton was born Odessa Cowan at her parents' home in Chicago on March 13, 1916.  Her mother, Marvel (Williams) Cowan, was a newlywed housewife, married to Odie Cowan, a salesman.  By the time Odessa was three years old, she and her mother were living with her maternal grandmother, and her step-grandfather, a dining car waiter for a railroad.  That year, Odessa’s sister, June, was born at home.  When the census taker arrived a few months later, their father was not recorded as a resident of the family home.

Odessa and June grew up among black neighbors on Chicago’s South Side.  Their mother played piano in dance halls and hotel ballrooms.  Odessa studied dance with a prominent black teacher and choreographer, Hazel Thompson Davis.  The Cowans' hometown black newspaper, The Chicago Defender, first wrote glowingly of Odessa’s performances when she was seven.  But the next year, despite the fact that she had the same South Side address into her teens, mentions of Odessa Cowan in the Defender disappeared.  By some accounts, that was the year she was “discovered” by a white vaudeville producer.

When watching Hutton perform to the segregated audiences of the day, she's quite soulful and jazzy, almost with an attitude of I'm pulling one over on you--I'm getting away with it--and I'm laughing all the way to the bank! Good for her!  Here she is performing Truckin' and Suzy Q.  Enjoy the show! 

Dona Drake: Another Imitation of Life

I happened to stumble upon this interesting and talented actress who never quite became a big star. Her story is an interracial one, so of course I found it fascinating! Check out what IMBD says:

In a situation that closely recalls the Fannie Hurst story "Imitation of Life" in which a girl strives to pass for white, beautiful light-skinned African-American actress/singer/dancer/bandleader Dona (pronounced "dough-nuh") Drake, for the sake of her career, denied her heritage and passed for white (in her case Mexican) for the duration of it. While it did not make her a true star, her zesty talents and charm went a long way in the field of war-time music. Unlike the story, Dona, however, did not abandon her parents or deny her parentage.

Dona was born Eunice (nicknamed "Una") Westmoreland in Jacksonville (some references say Miami), Florida, on November 15, 1914, of African-American parents (Joseph Andrew Westmoreland and Novella Smith Westmoreland). A gifted child musically, her father moved his family and later opened a restaurant in Philadelphia. Five year old Eunice started to perform and play musical 

instruments there as entertainment. Following schooling, she moved to the Big Apple where (billed as Una Villon) she caught the fetching eye of Broadway and nightclub talent ("Murder at the Vanities" (1930)) and worked as various chorines on stage, nightclubs and Earl Carroll revues. Claiming she was Latino, she even went so far as to learn Spanish.

In 1935 Dona changed her name to Rita Rio to emphasize her "ethnicity" and spiced up her image even further when she earned a featured spot in Eddie Cantor's film Strike Me Pink (1936). While it did not lead to more film work, it did enable her to form her own glitzy and glamorous all-girl band, Rita Rio and Her Rhythm Girls [aka The Girlfriends], which toured successfully.

On her own, Dona did a few short films and two-reelers, sang on the airwaves and revved up her image signing on radio. Good friend Dorothy Lamour assisted in getting her signed up to Paramount, where the studio changed her name to "Dona Drake" and built up her Latino background by sending out studio resumes that she was christened Rita Novella, was of Mexican, Irish and French descent and born and raised in Mexico City. Dona's first picture for the studio was in the Dorothy Lamour vehicle Aloma of the South Seas (1941). She then pepped up the Bob Hope starrer Louisiana Purchase (1941) as well as an Arab girl in the Hope/Crosby/Lamour comedy Road to Morocco (1942). Unable to break out of her typecasting as a spicy singing support, her contract was dropped after a sparkling big band singing lead loanout to Monogram entitled Hot Rhythm (1944). Around this time she married the Oscar- and Emmy-winning costume designer William Travilla.

Dona freelanced in Without Reservations (1946), co-starred with Kent Taylor in Dangerous Millions (1946) and was featured in Another Part of the Forest (1948) (as a girlfriend to weaselly Dan Duryea), Beyond the Forest (1949) (as Bette Davis' Indian maid), The Girl from Jones Beach (1949) (as Eddie Bracken's paramour) and as the gold-digging second lead in So This Is New York (1948). After her marriage and a daughter, Nia Novella, was born, she toned down her filmmaking but returned in the mid-1950s to some film and TV parts before retiring in 1957 due to health and emotional issues (heart ailment, seizures/epilepsy). She and Travilla separated in 1956, but never divorced and still appeared together at functions on occasion. Dona died of pneumonia and respiratory failure in 1989 with Travilla dying one year later.

I had never heard of Dona Drake. Had you?  Check her out on Youtube singing "Wha' D'ya Do when it Rains?" Thanks for visiting and have a great week!

Merle Oberon's Secret

One of my favorite movies is the 1939 film version of Wuthering Heights, starring the extraordinarily beautiful Merle Oberon, a talented actress during the 1930s and '40s.

May 12, Mother's Day, is quickly approaching and I'm looking forward to spending time with my wonderful mother, as I'm sure most of us are, who are still fortunate to have our moms with us. That said, I find it sad the way Miss Oberon treated her own mother--her dark skinned mother--by passing her off as a servant. Throughout her lifetime, Merle Oberon kept her ethnic origin a secret.

 About.com says "Merle Oberon earned an Oscar nod for her acting in 1935’s “The Dark Angel” and more recognition for playing Cathy in 1939’s Wuthering Heights. But off screen, Oberon feared that her secrets would be exposed. She wasn’t solely white nor was she born in Tasmania like actor Errol Flynn, as she told people. Actually, she was born in India to an Indian mother and an Anglo father. Rather than disown her mother, though, Oberon passed her off as a servant. When the actress visited Tasmania later in life, the press hounded her for details about her upbringing, forcing her to admit that she wasn't born there. Still, Oberon did not confess to being Indian."

For a more in depth look into Merle Oberon's life and deceit regarding her origins, check out this article about the 2002 documentary "The Trouble with Merle".

Have you seen any of Merle Oberon's movies?

Thanks for visiting and have a great week!

Previously posted 5/13/13

Merle Oberon's Secret

One of my favorite movies is the 1939 film version of Wuthering Heights, starring the extraordinarily beautiful Merle Oberon, a talented actress during the 1930s and '40s.

As Mother's Day has just passed, I must say, I find it sad the way Miss Oberon treated her own mother--her dark skinned mother--by passing her off as a servant. Throughout her lifetime, Merle Oberon kept her ethnic origin a secret.

 About.com says "Merle Oberon earned an Oscar nod for her acting in 1935’s “The Dark Angel” and more recognition for playing Cathy in 1939’s Wuthering Heights. But off screen, Oberon feared that her secrets would be exposed. She wasn’t solely white nor was she born in Tasmania like actor Errol Flynn, as she told people. Actually, she was born in India to an Indian mother and an Anglo father. Rather than disown her mother, though, Oberon passed her off as a servant. When the actress visited Tasmania later in life, the press hounded her for details about her upbringing, forcing her to admit that she wasn't born there. Still, Oberon did not confess to being Indian."

For a more in depth look into Merle Oberon's life and deceit regarding her origins, check out this article about the 2002 documentary "The Trouble with Merle".

Have you seen any of Merle Oberon's movies?

Thanks for visiting and have a great week!