Showing posts with label The Maltese Falcon. Show all posts
Showing posts with label The Maltese Falcon. Show all posts

Monday, March 10, 2014

Humphrey Bogart: Tough Guy or High Society?

"Tennis, anyone?"
Humphery DeForest Bogart hardly sounds like the name of  a tough guy born and raised on the rough streets of New York.  Well, Humphrey Bogart actually was born in New York City, but his father was cardiopulmonary surgeon, and his mother, a graphic illustrator. The Bogarts lived in a fashionable Upper West Side Apartment.

I learned these facts after reading a biography of Bogart years ago. I was surprised, perhaps because he played tough guys so convincingly. He even received fan mail from street toughs and criminals who could identify with Bogie because they were convinced he was one of them!

Bogart's parents did try to shape his future by enrolling him in the prestigious preparatory school Phillips Academy, in Andover, Massachusetts. But that only resulted in an expulsion. The Bogarts had hopes of their wayward son attending Yale. Needless to say, that never happened.

Following the expulsion, Bogart joined the United States Navy. It was during his Navy stint that Bogart's character and values developed independently of his family's influence.  He began to rebel against the values instilled in him, and developed into a liberal who hated pretensions, phonies, and snobs. Sometimes he defied conventional behavior and authority, characteristics he showed in real life, as well as in his movie roles.  He did, however, hold on to the positive character traits of good manners, articulateness, punctuality and modesty.
As Duke Mantee, the caption says it all!

After serving in the Navy, Bogart returned to New York and began working for a friend's father who had theater connections. From this experience, Bogart received the opportunity to try everything from writing and directing to acting. Although Bogart had been raised to believe that acting was beneath a gentleman, he did enjoy stage acting.

Wikipedia says "He never took acting lessons, but was persistent and worked steadily at his craft. He appeared in at least seventeen Broadway productions between 1922 and 1935. He played juveniles or romantic second-leads in drawing room comedies. He is said to have been the first actor to ask 'Tennis, anyone?' on stage."

Bogart played the hard boiled criminal Duke Mantee in the stage production of the Petrified Forest in 1935. The film version of was released in 1936. His performance was called "brilliant", "compelling", and "superb." After this film, Bogart was typecast as a gangster in a several B-movie crime dramas. Bogart enjoyed his success, but not the fact that it came from playing gangsters. He once said: "I can't get in a mild discussion without turning it into an argument. There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody. Nobody likes me on sight. I suppose that's why I'm cast as the heavy."

Of course Bogart went on to become a star in some of the greatest A-movies of all time, including The Maltese Falcon and Casablanca, but few are aware of his upper-crust beginnings! Were you?

Thanks for visiting and have a great week!

Monday, January 13, 2014

Movie Re-Makes: Worth it or Not?

I'm looking forward to seeing the new RoboCop, which according to Rotten Tomatoes, "While over-the-top and gory...is also a surprisingly smart sci-fi flick that uses ultraviolence to disguise its satire of American culture." I've seen the 1987 version and can't wait to see the technological improvements in the re-make.
RoboCop, 1987
Sometimes movie re-makes can be an improvement over the original film, like The Maltese Falcon.  In the 1931 version, sound was relatively new in movies, and sometimes actors delivered lines with their backs to the camera.  In addition, there was no mood music.

The Maltese Falcon, 1941
The 1941 re-make has become a classic, thanks to a charismatic cast that includes Humphrey Bogart, Peter Lorre, Sidney Greenstreet and Mary Astor. The musical score and dramatic cinematography place this film head and shoulders above its earlier counterpart.

Psycho, 1960
Although some re-makes surpass their predecessors, that's not always the case.  Take Psycho, for instance. The 1960 version was directed by Alfred Hitchcock.  Hitchcock--need I say more? Then along came the 1998 version, a shot by shot remake.  Why?

Do you have a favorite movie re-make and a not so favorite one?

Thanks for visiting and have a great week!