African Chicken Stew

"He who pursues a chicken often falls, but the chicken has to run." African proverb, Amaka

This recipe is a delicious chicken stew that can be served alone, over couscous, or over rice.  It's hot and hearty featuring a fall favorite--sweet potatoes! 

Growing up, I always ate sweet potatoes as a pudding or souffle. But as an adult, I've discovered lots of recipes that use them in savory dishes, which my husband prefers over the sweet ones.

This stew is easy to prepare, but unfortunately involves a little cutting and chopping (so just pretend it's therapeutic).  I've adapted my version from one I originally found in Woman's Day Magazine. Hope you enjoy!

African Chicken Stew

3 lbs boneless, skinless chicken thighs

1/2 t salt

1/2 t pepper

2 t onion powder

3 sweet potatoes

3 t garlic powder

1 1/2 t chili powder

20 ounces canned diced tomatoes

12 ounces frozen peas

1 1/2 T lemon juice

1/2 cup peanut butter

Season chicken with salt pepper and onion powder. Coat a large pot with cooking spray. place over medium high heat. Add chicken and cook about three minutes until browned.

Peel potatoes and cut in bite sized pieces; set aside. Sprinkle chicken with garlic powder and chili powder. Cook about 30 seconds or until fragrant.

Add potatoes and tomatoes. Bring chicken to the top. Bring pot to a boil, reduce heat. Cover and simmer about thirty minutes, or until potatoes are soft and chicken is cooked through. Sprinkle with peas, cover and cook 10 minutes longer. Add peanut butter and lemon juice. Stir until blended and hot. Makes 4 servings.

How do you like your sweet potatoes, sweet or savory?

Thanks for visiting and have a great week!

Reprinted from November 5, 2010.

Belle

Belle is one of the most beautiful movies I've seen in a long time! In it, you will see superb acting, breathtaking costumes, authentic scenery, and historically accurate settings (including manure in the streets).

Based on the true story of Dido Elizabeth Belle, the film offers enlightening facts about the British slave trade, racism in Great Britain, the status of women and social mores, and even interracial love.

Belle's great uncle, Lord Mansfield, his wife and spinster sister, come to adore Belle (called Dido) and want what's best for her.  However, upon Belle's original arrival as a little girl to their home, they are rather annoyed by their nephew's failure to mention her color.

Belle, the daughter of a slave, possesses physical beauty, and she is raised by her paternal family of white, cultured aristocrats. She inherits a dowry upon her father's death, so by having this, as well as her father's name, Belle's color and illegitimacy can be somewhat overlooked, yet tongues would continuously wag of scandal.

Belle's cousin Elizabeth, also raised by her father's family (Belle's father, Admiral Sir John Lindsay, would have been Elizabeth's uncle) is left penniless by her father. So even though Elizabeth is a beautiful, legitimate, cultured white aristocrat, her chances of marrying into the landed gentry appear slim to none. By marrying a woman with a substantial dowry, a man of aristocratic standing could achieve even more political power. Love, however, seldom fit into this equation. It's interesting to see how Belle handles this particular dilemma.

An idealistic young vicar's son challenges Belle's uncle, the Lord Chief Justice, on an insurance case involving the slave trade, and ends up using Belle as his greatest ally in fighting this legal battle.  This young man is not considered a gentleman, but nonetheless he stirs Belle's heart!

I loved this movie, my only regret was that I had no tissue with me!  There is a happy ending, but lots of sadness along the way.

Have you sen Belle? Thanks for visiting and have a great week!

Julia Sand: Encouragement in a Time of Crisis

So just who was Julia Sand? I'd never heard of her until I read Candice Millard's Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President, an amazing account of James A. Garfield's life and the assassination attempt on him while serving as president.

Garfield, an extraordinary man, was actually nominated for president against his will.  However, four months after his inauguration, he was shot in the back by the deranged Charles Guiteau, who'd sought a political office in Garfield's administration.

It wasn't the would-be assassin's bullet that killed the president, but rather the medical treatment Garfield received.  As Garfield suffered for nearly two months, the nation was thrown into turmoil, and during this time, Vice President Chester A. Arthur ( a not so extraordinary man) stayed in seclusion. When Guiteau was apprehended he announced his wish for Arthur to become president.  Because of this, there was a brief investigation into whether Guiteau had been hired by Garfield’s enemies.

Although no proof was found to support this, there were threats made on Arthur’s life and he feared making public appearances. Arthur’s past was linked to some scandals involving the New York Customhouse and many thought Arthur as president would mean disaster for the country.

Here's where Julia Sand fits into the equation.  She corresponded with Arthur beginning in late August of 1881, before Garfield's death.  Her last surviving letter is dated September 15, 1883. Sand referred to herself as the President’s “little dwarf”, alluding to the idea that in a royal court, the dwarf is the only one with courage enough to tell the truth.

Sand was an educated woman who lived in New York, yet when she began writing Arthur at age 31, she was bedridden due to spinal trouble, lameness and deafness.  What I'm posting below is a portion of Sand's first letter to the would-be president:

The day [Garfield] was shot, the thought rose in a thousand minds that you might be the instigator of the foul act. Is not that a humiliation which cuts deeper then any bullet can pierce?

Your kindest opponents say "Arthur will try to do right"– adding gloomily –"He won’t succeed though making a man President cannot change him."

…But making a man President can change him! Great emergencies awaken generous traits which have lain dormant half a life. If there is a spark of true nobility in you, now is the occasion to let it shine. Faith in your better nature forces me to write to you – but not to beg you to resign. Do what is more difficult & brave. Reform!

It is not proof of highest goodness never to have done wrong, but it is proof of it, sometimes in ones career, to pause & ponder, to recognize the evil, to
recognize the evil, to turn resolutely against it…. Once in awhile there comes a
crisis which renders miracles feasible. The great tidal wave of sorrow which has
rolled over the country has swept you loose from your old moorings & set you on
a mountaintop, alone.

Disappoint our fears. Force the nation to have faith in you. Show from the first
that you have none but the purest of aims.

You cannot slink back into obscurity, if you would. A hundred years hence,
school boys will recite you name in the list of Presidents & tell of your
administration. And what shall posterity say? It is for you to choose….

Apparently, her words of encouragement inspired and changed him. At the end of his presidency, Arthur earned praise from his contemporaries for his solid performance in office. In 1886, the New York World wrote: "No duty was  neglected in his administration, and no adventurous project alarmed the nation." And according to Mark Twain, "[I]t would be hard indeed to better President Arthur's administration."

Had you ever heard of Julia Sand? Also, can you think of anyone you can encourage today? Thanks for visiting and have a great week!

Reprinted from October 1, 2012.

A Handy Writing Tip: Arrive Late, Leave Early



"Too many words..."

"Figure out what the action of the scene is going to be, or what its thrust is, and then start writing just a fraction before the action begins." Robert Masello, Robert's Rules of Writing, Rule 42: Make an Entrance

If you haven't guessed, Masello's Robert's Rules of Writing is one of my favorite craft books.  It's a small work jam packed with excellent advice!

Masello uses the example of a scene that takes place in a lecture hall.  Is it really necessary to show the students filing in, the professor straightening his notes at the podium, then clearing his throat and beginning the lecture?

Absolutely not!  If the oncoming conflict is an argument that takes place between the protagonist and the professor, that results in the protagonist getting kicked out of school, focus on that.

Masello says, "If that's what the scene is about, if that's what moves the action of your story forward, then come in just before the argument flares up and out of control.  And once the expulsion is given, end the scene...Lingering in that lecture hall will only dilute the power of the confrontation."

In closing, get to the point, and know when to quit.  Rambling and meandering is okay in a first draft, but while revising, cut what's possible so the reader won't be bored!

Reprinted from April 18, 2011.

Thirty Years a Slave

I ran across an interesting slave narrative recently and thought I'd share it today. Behind the Scenes, or, Thirty Years a Slave, And Four Years in the White House was written by Elizabeth Keckley.  She was best known as the personal seamstress and confidante of First Lady Mary Todd Lincoln. Keckley was born a slave in 1818, but purchased her freedom in 1860 and then moved to Washington. She created an independent business in the capital, and her clients included the wives of the government elite.

According to Biography.com:

Keckley not only became Mrs. Lincoln's dressmaker, she was also the first lady's personal dresser and closest companion. She was a White House habitué during the pivotal years of the Abraham Lincoln presidency; the two ladies travelled together, with Keckley present for the Gettysburg address, and they raised money together for the Civil War effort.

Keckley son's died in the war in August 1861, but her mourning was cut short to comfort Mrs. Lincoln, who lost her own son to typhoid the following February. Keckley was also there to provide support following the president's assassination and Mrs. Lincoln's transition out of the White House.

Keckley decided to write her memoir in part to salvage the former first lady's reputation after the war. However, the publication of Behind the Scenes: Or, Thirty Years as a Slave and Four Years in the White House in 1868 had the opposite effect; feeling betrayed by the revelations in the book, Mrs. Lincoln cut off contact with the woman she once called her closest friend.

I just recently learned about Elizabeth Keckley. Were you at all familiar with her? Thanks for visiting and have a great week!